For more than 75 years, the Heard
Museum has been a Phoenix landmark, a place where visitors from across the
globe come to learn about Native cultures and art. With every exhibit, education
plays a major role throughout the planning process. Unlike many museums that
show "objects
on a shelf," the Heard strives to present voices and perceptions of the
people who made the work on display, and Native American consultants play a
vital role in the development of every exhibition.
The Heard Museum encompasses 130,000 square feet of galleries, classrooms
and performance spaces. That's more than eight times the size of the original
structure built in 1929 to house the personal collections of Phoenix residents
Dwight and Maie Heard.
Dwight Bancroft Heard moved to Chicago from Wayland, Mass.,
shortly after high school. He began working at Hibbard, Spencer and Bartlett
Company, one of the biggest wholesale hardware companies in the country and
the precursor of True-Value Hardware Stores. While there, Dwight Heard was
a protégé of
Adolphus Bartlett and subsequently met Bartlett's daughter, Maie Bartlett.
In 1893, Dwight Heard and Maie Bartlett were married. One year later, the couple
headed for a warmer, dryer climate andsettled in Phoenix in 1895.
Once settled, the couple began a lifelong dedication to the betterment of
their new community. Dwight Heard was one of the largest landowners in the
Salt River Valley, and his Bartlett-Heard Land and Cattle Company south of
Phoenix raised prize cattle, alfalfa, citrus trees and cotton. He served as
the president of the Arizona Cotton Growers' Association. His other business
interests included real estate development, investment lending and newspaper
publishing.
Maie Heard became actively involved founding or supporting a number of civic
endeavors including the Boy Scouts, Camp Fire Girls, YWCA and Woman's Club
of Phoenix. Maie Heard and other Bartlett family members donated land for the
city's first civic center at the corner of Central Avenue and McDowell Road
(where the original Phoenix Art Museum and Phoenix Library were built, and
where the Phoenix Art Museum stands today).
The Heards built a 6,000-square-foot house called "Casa Blanca" in
what was then north Phoenix. The home featured Spanish-style architecture and
was built around an open courtyard. The couple planted hundreds of palm trees
along four miles of roads in Los Olivos, the neighborhood surrounding their
home that was developed by Dwight Heard, and the couple is credited with introducing
the stately trees to Phoenix.
Casa Blanca was a major gathering place, over the years including Marshall
Field, Charles L. Hutchinson (founder of the Art Institute of Chicago), Herbert
Hoover, Harvey S. Firestone, Theodore Roosevelt and others.
The Heards developed a keen interest in Native American artifacts and art,
and they began to acquire pieces that they exhibited in their home. Over the
years, the Heards built their collection through travel and contacts with trading
posts as well as with Indian arts dealers such as the Fred Harvey Company.
Much of the archaeological material in the Heard's collection came from La
Ciudad, a Hohokam Indian ruin they purchased in 1926 at 19th and Polk streets
in Phoenix.
Through the years, it became evident that a larger space should be dedicated
to the collection and, on the suggestion of their daughter-in-law Winifred,
the Heards decided to build a museum.
1929 to 1950
The Heard Museum opened with little fanfare in June 1929, several months after
Mr. Heard died of a heart attack.
Maie Heard acted as museum director, curator, custodian, lecturer and guide
at the Heard Museum for more than 20 years, quietly teaching visitors about
the Native cultures that were so dear to her heart.
1951 to 1999
The Heard Museum underwent significant growth upon Maie Heard's death in 1951.
A Board of Trustees was established to ensure the museum's continuation,
and several staff members were hired. In 1956, the Heard Museum Auxiliary
was established to assist with educational programs. Today, the Heard Museum
Guild numbers nearly 700.
In 1958, the volunteers launched two aggressive fundraising
projects—a
museum shop and a fair. Both activities continue with great success today,
thanks to the continuing support of Guild members who work in the shop and
meticulously plan the Indian Fair & Market, which today draws nearly 20,000
people. Both enjoy national recognition and are major contributors to the Heard
Museum's operations. Also in 1958, the first of four expansion projects was
completed. The Jacobson Gallery of Indian Art was added to the museum during
the next big expansion in 1968 and '69, which nearly doubled the original building.
The Heard Museum experienced another significant expansion in 1983, when it
nearly doubled in size again to 78,000 square feet.
2000 to Today
In February 1999, the Heard Museum added 50,000 square feet. The expansion
added several new structures including an expanded Museum Shop and Bookstore,
the Steele Auditorium, the Dorrance Education Center, the Arcadia Farms at
the Heard, an artist studio and the Nina Mason Pulliam Pavilion. Also added
were a Library and Archives, new administrative space, new collections storage
facilities and new exhibit preparation areas. The expansion also added three
new exhibit galleries, bringing to 10 the number of galleries at the Heard.